From Chapter 8:
Johnstone, Parr's biographer, referring to his hero's failure to obtain preferment to the Episcopal Bench about the year 1804, says—"His pipe might be deemed in these fantastic days a degradation at the table of the palace or the castle; but his noble hospitality, combined with his habits of sobriety, whether tobacco fumigated his table or not, would have filled his hall with the learned and the good." A portrait of Parr hangs in the Combination Room in St. John's, Cambridge. Originally it represented him faithfully with a long clay between hand and mouth; but for some unknown reason the pipe has been painted out.

From Chapter 2:
It chaunc'd me gazing at the Theater,
To spie a Lock-Tabacco Chevalier
Clowding the loathing ayr with foggie fume
Of Dock Tobacco friendly foe to rhume—

says a versifier of 1599, who did not like smoking in the theatre and so abused the quality of the tobacco smoked—though admitting its medicinal virtue. Dekker suggests, probably with truth, that one reason why the young gallant liked to push his way to a stool on the stage, notwithstanding "the mewes and hisses of the opposed rascality"—the "mewes" must have been the squeals or whistles produced by the instrument which was later known as a cat-call—was the opportunity such a prominent position afforded for the display of "the best and most essential parts of a gallant—good cloathes, a proportionable legge, white hand, the Persian lock, and a tolerable beard." Apparently, too, serving-boys were within call, and thus lights could easily be obtained, which were handed to one another by the smokers on the points of their swords.

From Chapter 3:
The druggist-tobacconists were well stocked with abundance of pipes—those known as Winchester pipes were highly popular—with maple blocks for cutting or shredding the tobacco upon, juniper wood charcoal fires, and silver tongs with which the hot charcoal could be lifted to light the customer's pipe. The maple block was in constant use in those days, when the many present forms of prepared tobacco and varied mixtures were unknown. In Middleton and Dekker's "Roaring Girl," 1611, the "mincing and shredding of tobacco" is mentioned; and in the same play, by the way, we are told that "a pipe of rich smoak" was sold for sixpence.

From Chapter 4:
It seems likely that Richard Cromwell was a smoker. In 1689, long after he had retired into private life and had ample leisure for blowing clouds, he sent to a friend a "Boxe of tobacco," which was described as "A.J. Bod (den's) ... best Virginnea." In a letter to his daughter Elizabeth, dated 21 January 1705, there is a reference to this same dealer, whom he describes as "Adam Bodden, Bacconist in George Yard, Lumber [Lombard] Street." The allusion is worth noting as a very early instance of the colloquial trick of abbreviation familiar in later days in such forms as "baccy" and "bacca" and their compounds.